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~ Desoto Joe's Civil War Newsletter ~



usa0a.gif   Civil War Book Review   usa0a.gif

Compliments of The St Louis Post-Dispatchat: http://home.post-dispatch.com


"Reprinted with permission of the St. Louis Post-Dispatch (© 2002)."

Review By: Jules Wagman
- Special To The Post-Dispatch
- 06/16/2002




THE REBEL RAIDERS:
THE ASTONISHING HISTORY OF THE CONFEDERACY'S NAVY

By Jules Wagman

The story of the Confederate raider Alabama has been told many times, but it doesn't hurt to tell it again. Naval historian James Tertius deKay has written an engaging, lively book that plows little new ground and certainly has nothing to justify the "astonishing" in the subhead of "The Rebel Raiders."

What the Alabama did went far beyond the 64 American merchant ships it captured. Through Southern subterfuge and plenty of winking of the official British eye, the Confederacy was able to build, equip and man in Liverpool the raider, which virtually singlehandedly drove the Yankee merchant fleet from the high seas. Sailing the Alabama into Singapore harbor on Dec. 21, 1863, Raphael Semmes found "an entire fleet of American merchant ships ... almost all of them dismantled and laid up -- their captains terrified by the threat that they might run into the Alabama if they as much as poked their way out beyond the marine league."

In a little less than two years at sea, the Alabama captured 64 Northern merchantmen worth more than $5.1 million. Additionally, 25 Federal warships were detached from blockading the Confederacy to hunt it down. It had cost the North at least $7 million, or 28 times what the South paid to build, arm and fit it out. Confederate agent James Bulloch arrived in Liverpool on June 4, 1861, and set about to acquire fighting ships. In doing so, he turned the British Foreign Enlistment Act on its head, deKay says.

The 1819 law was designed to protect Great Britain from getting caught up in foreign wars through the private actions of its subjects. Bulloch retained Liverpool solicitor F.S. Hull to find a way around the law. The relevant portion, Section 7, forbids the construction for foreign nations of warships in British yards, but it had never been tested. Hull persuaded two leading barristers to agree with him that a ship is not a warship until the guns are installed. At the time, the British ruling classes generally favored the South because it supplied the cotton for their mills.

Though Bulloch had cleared away the legal and financial hurdles before July 1861 had ended, the ship was not ready for the sea for another 12 months.

When it sailed down the Mersey, the U.S. ambassador tried in vain to have the ship stopped. By the time the British ended their foot-dragging, the ship was gone. It was fitted out with guns in the Azores; Semmes took command, named her Alabama, and ran up the Rebel flag; and her mostly British crew sang "Dixie." As a raider, Semmes was not without subterfuge. Sighting a merchantman, he would run up a British flag in hopes that if it were a Northern ship, it would put up the Stars and Stripes.

If that happened, Semmes would haul down the British ensign, run up the Confederate flag and go for his quarry.

The Alabama was caught at Cherbourg, France, and was sunk by the Kearsage in battle June 19, 1864. Semmes escaped to England. The United States pursued claims for the Alabama losses, finally winning $15.5 million in 1872.

= = = =

"The Rebel Raiders: The Astonishing History of the Confederacy's Navy"


By James Tertius deKay
Published by Ballantine Books, 257 pages, $26
Books\Jules Wagman reviews books in Jacksonville, Fla.

Desoto Joe/The Record Man

MacLinks would like to take this opportunity to thank the St Louis Post-Dispatch and their staff for the preceding book review. The St Louis Post-Dispatch web site is located at: http://home.post-dispatch.com

******************************


To:  MacLinks' Civil War Research Center

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© 2000 - 2003 ~ MacLinks Civil War Data & Reference Research Center ~ http://www.homepagez.com/maclizard/index.html


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Would you like to add or become part of the MacLinks' Civil War Resource group? Please feel free to contact Dave at;   Maclizard@rogers.com.



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~ Desoto Joe's Civil War Newsletter ~



usa0a.gif   Civil War Book Review   usa0a.gif

Compliments of The St Louis Post-Dispatch at: http://home.post-dispatch.com


Reprinted with permission of the St. Louis Post-Dispatch (© July 24, 2002.).

"Before They Were Hillbillies"

By Florence Shinkle; Writer for The Post-Dispatch

Novelists are channel swimmers, borne forward by many currents, some near the surface, some rising from deep below.

Paulette Jiles, author of the best-selling Civil War novel "Enemy Women," mentioned in a recent interview that the story took her seven years to write. But she meant just the stretch of time she was wrestling to birth the characters and the narrative, the time it took to plot the story of 17-year-old Adair Colley of Ripley County, imprisoned in St. Louis as an enemy of the Union.

Long before she found the historical material on which to key the plot, she had a reigning artistic mission for which she sought, perhaps without always being fully aware of it, a dramatic vehicle. "Enemy Women," selected both as a book club choice by "Good Morning America" and as the state's ReadMOre book for 2003, was born at a point of confluence, when she found the framework to express her long-held and long-withheld convictions about the hill people of southern Missouri.

I know this positively because I have a cranky letter from her, written 11 years ago, that is plain as an artistic road map.

Jiles, 58, was born in Dent County, Mo., outside Salem, part of a buoyant, resilient clan descended from an ancestor who "did farming, horse buying and wandering." In 1990, she wrote a book titled "Cousins" about that family, giving portraits of her individualistic relatives, looking for the family oversoul, what formative things they shared, "rolling from generation to generation like a bright red thread."

I coupled a review of "Cousins" with material gained from an interview with Jiles for an article. In it, mea culpa, I described the environment she was reared in as "hardscrabble." Worse, I wrote that she'd "escaped" her upbringing, suggesting the culture was confining and stunted.

She wrote back, scalded at my stereotyping and at herself for being an accomplice of sorts:

"The idea that I 'escaped' my upbringing. I've been asked that for years and years. And I'd go on and on about how I escaped. Like I was born in the county jail."

As for the word "hardscrabble" with its connotations of a meager, transient culture -- she went off like the Fourth of July:

"What upstaters call hardscrabble we would see as gentle little farms in hollows with cosmos flowers and mockingbirds and foxgrape vines. ... I nearly always thought of us as folks with roots that went so far back they tangled the piping. It was my great-great-great grandfather Jiles who lived near Nashville in 1790, and he and then his sons were justices of the peace, officers in the Tennessee militia. But then came the Civil War and Reconstruction. That destroyed a whole generation of small but prosperous farmers. Wrecked their communities and created the people known as 'hillbillies.' Known as 'rednecks.' The war uprooted the mid-South."

She went on in a tumble of sentences and feelings:

"My great-great-grandfather, Marquis Jiles, died in Missouri during the Civil War, cause unrecorded. He moved from Tennessee to Missouri with a young family and then just evaporates out of the documents like smoke. The war and the Reconstruction and then the big lumbering companies did terrible damage to the southern hills people. It made them into hillbillies. It created hardscrabble."

And there, like the first shoots in spring, appeared the following emerging mission:

"Maybe we can put aside the idea that southern hills people are marginal, weird, right-wing, or that poor means stupid. There were always so many (assumptions) regarding southern Missourians that it made me shy away from writing about my own milieu for years. People used to ask me, 'Gee, why don't you write about Missouri?' And I thought, because the reading audience is white, urban and middle class, and they'll want to hear about how the hogs ate little brother so they can shake their heads from a distance."

For Jiles, the research for "Cousins" was a reawakening to her family's and the hill people's sorrowful, valiant past, one formed "before rural Missourians became rednecks and were neither exotic nor risible but simply citizens of this nation. ... The more stories they (the cousins) told me about their lives, the more I realized how much poetry there is in a life, how extraordinary ordinary lives are, especially with a people who have lived through large events; like wars and boom towns and hard losses."

In addition to forgoing the use of the word "hardscrabble" forevermore, I saved that letter for 11 years, knowing that it mapped the place Jiles had to go to artistically, if she could possibly find the way, just as Adair Colley of "Enemy Women" knew she had to fight her way home.

Get up and go

Like her ancestor, Jiles did years of wandering and horse buying. "My mom put me on Dream Girl when I was four and I knew I was born to ride!" She also ran off to Canada with a draft dodger and practiced "the po biz," writing poems that earned her Canada's highest literary award. She set up radio towers in the Yukon and taught English to Canada's northern native people.

In 1989, at the Eminence trail ride, she met a fellow trail rider, Jim Johnson, a Vietnam veteran and a retired Army colonel. She married him. She has always had this enviable way of moving straight toward what she wants, as if she feels she has a responsibility to get up and go. She once said she thought the response had been encoded in her family over years of having everything taken away from them again and again. They'd learned to move forward, not to sit huddled on burned-out acreage waiting to starve.

So Adair Colley determines that she will go find her father after the Union militia arrest him and try to set fire to the Colley house.

The story takes place within the historical framework of the clashes between the Confederate 15th Missouri Cavalry and the Union militia in Ripley County. Sometime in the mid-'90s, Jiles came across a history of the war there, written by Jerry Ponder, whose family had endured it. And she found a graveyard where Union and Confederate soldiers were buried after the Union massacred 60 civilians and untold numbers of soldiers on Christmas Day 1863.

Finding this material and the cool, faded gravestones, Jiles found the beginnings of a structure for a novel whose emotional center she knew beyond forgetting.

Adair's father, Marquis Colley, is a man of education and property, a justice of the peace, a teacher. Union Capt. Tom Poth, a man of sourceless malignity, "beat him in the head and the sound of it was as if he were striking a melon."

Off to St. Louis

Adair sends her sisters to family in Tennessee and heads for St. Louis in search of her father. The state is under martial law. There is a suspension of constitutional rights. Some other traveler denounces her and, casually, without means of appeal, she is taken prisoner. She is told to write a confession. She resists, writing a story of her life that now is a fairy tale, driving "the pen across the paper, her fingers white and thin as pale horses."

The Union officer in charge of the prison falls in love with her and she with him. He helps her escape, promising to come find her. So she starts the long journey back to what had been home through a wilderness of silver-trunk beeches, solitary midnight fiddlers and killers. And what we learn of her and hers, of the hill people who endure and go on, is what Jiles has wanted to convey for years and years:

Many "had gone down into darkness, without a word spoken and their names were known to no one." But despite the death and scattering of the past, "a clear light burned inside her that nothing could extinguish ... and no wind could put it out."

Published in "Everyday Magazine" on Wednesday, July 24, 2002

Desoto Joe/The Record Man

MacLinks would like to take this opportunity to thank the St Louis Post-Dispatch and their staff for the preceding insight into America's past. The St Louis Post-Dispatch web site is located at: http://home.post-dispatch.com

******************************


To:  MacLinks' Civil War Research Center

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© 2000 - 2003 ~ MacLinks Civil War Data & Reference Research Center ~ http://www.homepagez.com/maclizard/index.html


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Would you like to add or become part of the MacLinks' Civil War Resource group? Please feel free to contact Dave at;   Maclizard@rogers.com.



******************************






~ Desoto Joe's Civil War Newsletter ~



usa0a.gif   Civil War Book Review   usa0a.gif

Compliments of The St Louis Post-Dispatch at: http://home.post-dispatch.com


Reprinted with permission of the St. Louis Post-Dispatch (© October 27th, 2002).

"Tombstone Turns Up at New Home Site"

By Marianna Riley; Writer for The Post-Dispatch

This story was published in Metro on Sunday, October 27, 2002

* The discovery of the marker for a couple who died more than 150 years ago intrigued construction workers. Research showed that the man was one of Dred Scott's lawyers.

As if timed for the season of celebrating all departed souls comes a new urban mystery: the sudden appearance of a marble tombstone at a St. Louis building site in the 3000 block of Eads Avenue, where new homes are being built in an area called St. Vincent Park.

And as if this unexpected and unexplained occurrence weren't enough, the tombstone, a four-sided column that's about three feet tall, turns out to have marked the graves of David N. Hall, one of the attorneys in the early stages of the Dred Scott case, and his wife, Sarah C. Smith Hall.

The opinion of the Supreme Court in 1857 that Scott, a Missouri-born slave, was not a U.S. citizen and had no right to file a suit, was one of the triggers of the Civil War.

Scott, who claimed to be free because he had lived for seven years in states where slavery was banned, was given his freedom by his owners' sons shortly after the decision. He enjoyed his freedom for only a few months, dying in 1858.

Hall and his partner, Alexander P. Field, represented Dred and Harriet Scott in earlier phases of the case at the Old Courthouse in St. Louis, according to Kristin Zapalac, a historian with the Missouri Department of Natural Resources. Zapalac did the research on the stone after she got an anonymous phone call about the grave marker.

She has also learned that Hall and his partner were the attorneys of record in another freedom suit, this one filed in 1842 by Pierre, "a man of color," against Gabriel Chouteau, a member of one of the city's founding families. Knowing that Hall was in St. Louis for 10 years, this recent find means he was involved in freedom suits since shortly after his arrival in the city, Zapalac said.

Zapalac was called to the site where the Hall marker was found because she works in the Department of Natural Resources' historic preservation office, which has to be notified - along with the police - if there's a possibility of unmarked human burials.

In this case, there was only a tombstone, but Zapalac was asked to do further research to determine if Hall could possibly have been buried there.

She soon determined that there was no graveyard at the Eads site and that the couple had been buried in nearby Christ Church Cemetery, at Caroline and Ohio streets, about two blocks to the north and east.

That cemetery was later closed. In 1884 the Post-Dispatch carried an advertisement that bodies there were being moved to New Wesleyan Cemetery, then in University City.

Since the cemetery appeared to have been closed in 1859, Zapalac thinks it's likely that the Halls' bodies were moved. Why the headstone didn't accompany them is part of the mystery.

One of the first to spy the stone was David Cameron, the site superintendent for C.F. Vatterott, the developer of St. Vincent Park.

"Why this showed up on my job site, I don't know," he said.

When the stone was discovered on Oct. 8, "I thought, oh my, what did we do," he said.

He said it was in a pile of other stones, including rough blocks of marble that look as if they were to be made into grave markers. He thinks it was all dumped at the construction site recently.

As the days went by, everyone involved got more and more interested in the mysterious grave marker. A plumber and a painter on the job did their own research, and each day came to work with more information about the Halls, including the family of Sarah Smith Hall. Her father, they learned, was a prominent physician in Massachusetts.

Cameron said he rather surprised himself with his own interest in the history of the tombstone. "I build new houses, and if something's in the way, I want to get it out of the way," he said. "I have a schedule to meet. But this was worth stopping for."

From her research, Zapalac learned that the Halls were both from Sutton, Mass. They lived near 15th and Pine streets and died young. She was 26 when she died in 1849. He died two years later, at 33. They had been married two years and had no children. "Consumption" was listed as the cause of death for both.

Apparently Hall was sentimental, said Zapalac, because he kept all his wife's clothes. In his will, written just two days before he died, he gave them to his sister in Massachusetts.

The will also ordered that a headstone be carved.

Hall was well-known enough that his death merited an obituary in the Missouri Republican, and the local criminal court adjourned "in token of respect to the deceased."

The stone is now in the custody of the Missouri Historical Society. Andrew Walker, senior curator there, said the stone was important for the society to have, although there were no immediate plans for its display.

"It's rare that you find such a substantive artifact from which you can build larger historical narratives: for David Hall, for Dred Scott and for African-Americans in St. Louis," he said.

Reporter Marianna Riley:
E-mail: mriley@post-dispatch.com
Phone: 314-340-8121


Published in "Everyday Magazine" on Wednesday, July 24, 2002

Desoto Joe/The Record Man

MacLinks would like to take this opportunity to thank the St Louis Post-Dispatch and their staff for the preceding insight into America's past. The St Louis Post-Dispatch web site is located at: http://home.post-dispatch.com

******************************


To:  MacLinks' Civil War Research Center

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *


© 2000 - 2003 ~ MacLinks Civil War Data & Reference Research Center ~ http://www.homepagez.com/maclizard/index.html


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Would you like to add or become part of the MacLinks' Civil War Resource group? Please feel free to contact Dave at;   Maclizard@rogers.com.



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